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Kroma Crackle Medium | Make Beautiful Textures with Paint - Vancouver BC

deMeng's deMented Derma


Looking for a nice lizardesqe skin?  Who isn’t?  If you’re like me you might find yourself in a situation where you need a nice cold-blooded-critter skin as a surface.  Look no further I have just the thing for you, using Kroma Crackle.


I followed all Kroma’s instructions and got some really amazing effects.  The only problem was that I wanted to teach with it and it took a couple of days to get the effect.  I knew this would be a problem for classes that were only one day long.  Was there a way to may this process speed up?  It was time to get out the mad scientist gear and experiment. 

Experiment after experiment failed.  I was pretty certain that I would not be able to get the instantaneous effect I sought…I was pretty certain…until….


I was working on a little shrine and set it on a gunked-up work surface to dry some acrylic paint with a heat gun.   As I dried it I noticed that the surface below had a bit of wet Crackle medium on it.  Then I was amazed.  Before my very eyes the Crackle started to crack with the heat gun.  This had never happened before, so the question was: What made the Crackle crack with a heat gun on this particular day, while every other instance failed in my tests? What in the world was different? 

It seemed pretty obvious to me that the only thing it could be was something with the surface the Crackle was on.  

I don’t have a CSI lab in my studio so I couldn’t test the molecular components of the work surface, but fortunately I remembered that a day earlier I spilt some Elmer’s Glue on this surface, which mixed with wet acrylic paint and then dried.  This had to be what did it.  I knew that there were some very, very simplistic crackle effects created by using white glue and acrylic, so my hypothesis was that this somehow expedited the Crackle medium.


Now I needed to reproduce the effect.  I covered a surface with Elmer’s Glue then while it was still wet I added a tiny bit of acrylic paint (just enough to tint it).  I then dried it with a head gun.  Next I slathered a nice coating of Kroma Crackle on…not with a brush, but with fingers.  Okay…now was the moment of truth.  I took out the heat gun and sheepishly started to dry.  At first, nothing.  My heart sank.  But then I noticed the Crackle turning bright white, and then: Eureka!  Big crocodilian cracks!  Not quite as delicate as the original Kroma recipe and much more complex as the Elmer’s/acrylic combo.  A very unique reptilian texture…best yet it could be done in five minutes.



website: www.michaeldemeng.com

blog: www.michaeldemeng.blogspot.com

email: assemblage@michaeldemeng.com